ROBERT, Hubert

French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings


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ROBERT, Hubert Triumphal Arch and Amphitheater at Orange (mk05) oil


Triumphal Arch and Amphitheater at Orange (mk05)
Painting ID::  20767
Triumphal Arch and Amphitheater at Orange (mk05)
INV 7647 (MN)
INV_7647_(MN)
   
   
     

ROBERT, Hubert The Porta Octavia in Rome (mk08) oil


The Porta Octavia in Rome (mk08)
Painting ID::  21907
The Porta Octavia in Rome (mk08)
Oil on canvas, 161x117cm Poughkeepsie The Frances Lehman Loeb Art Center at Vassar College
   
   
     

ROBERT, Hubert Portrait fo der Madame de Stael als Corinne (mk08) oil


Portrait fo der Madame de Stael als Corinne (mk08)
Painting ID::  21908
Portrait fo der Madame de Stael als Corinne (mk08)
c.1807/08 Oil on canvas. 140x118cm Geneva,Musee d'Art et d'Histoire
   
   
     

ROBERT, Hubert Landscape with Stone Bridge oil


Landscape with Stone Bridge
Painting ID::  28425
Landscape with Stone Bridge
mk60 1766 Oil on canvas 15x22"
mk60 1766 Oil_on_canvas 15x22"
   
   
     

ROBERT, Hubert The Villa Madama near Rome oil


The Villa Madama near Rome
Painting ID::  28325
The Villa Madama near Rome
mk60 1760 Oil on canvas 20 1/2x27"
mk60 1760 Oil_on_canvas 20_1/2x27"
   
   
     

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     ROBERT, Hubert
     French Rococo Era Painter, 1733-1808 French painter, draughtsman, etcher and landscape designer. He was one of the most prolific and engaging landscape painters in 18th-century France. He specialized in architectural scenes in which topographical elements derived from the buildings and monuments of ancient and modern Italy and of France are combined in often fantastic settings or fictitious juxtapositions. The fluid touch and rich impasto employed in his paintings

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